Live Sets and Projects are organised in pretty much the same way in Live 9 as in Live 8. MIDI editing is more powerful, and the automation machinery has been upgraded, allowing - at last - individual clips to carry their own automation data, which can be transferred between Session and Arrangement. Finally, and perhaps most significantly, editing and control have been improved. There's an audio-to-MIDI feature for analysing recordings and rendering them in note-sequence form. There's a lot of new content (instruments, sample sets), with more available directly from Ableton's web site. Some of Live's core audio effects have been enhanced, and there's a new analogue-style compressor. The changes here are significant and we'll look at them in some detail in a moment. (I said much the same about Live 8 versus Live 7 Ableton go very much for evolutionary development rather than revolutionary redesign.) The changes are, by and large, at the level of isolated alteration and refinement of specific features, although some of that alteration runs deep.įirst off, the Browser has been completely overhauled, and works differently. The core Live application looks, feels and works very much like Live 8, and at first glance there are no glaring changes that leap out. (In Live 8, Max for Live was always an additional, pay-to-use product, even for owners of Suite.) Finally, Live 9 now ships in 32- and 64-bit versions. Max for Live, the package that extends Live with Cycling '74's Max audio and video toolkit, has been updated to use Max version 6, and is now an integral part of Live Suite. Live 9 Intro is the cut-down, two-channel-only, entry-level version, while Live 9 Standard and Live 9 Suite are the full application, differing only in terms of the instruments, effects and content packs included. Like earlier Live versions, Live 9 ships in multiple editions, depending on your requirements and budget. Many of these now feature directly on Ableton's web site, alongside Ableton's own sound packs, as either free or paid downloadable products Ableton are taking on something of a curatorial role in presenting this material. Live 9 also marks a gradual shift by Ableton towards embracing libraries developed by third-party sound designers.
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